Product Description

It’s all fun and games until someone gets stabbed with a tire iron. When a pledge week prank goes terribly wrong and one of their own is killed, the popular, hard-partying sisters of Theta Pi vow never to speak of the tragedy again. But the past comes back to haunt them in the form of a homicidal maniac seeking revenge during the out-of-control graduation festivities.

Product Details

• Amazon Sales Rank: #16527 in DVD
• Brand: Universal
• Released on: 2010-02-23
• Rating: R (Restricted)
• Aspect ratio: 2.40:1
• Number of discs: 1
• Formats: AC-3, Color, Dolby, DVD, NTSC, Subtitled, Widescreen
• Original language: English
• Running time: 101 minutes

Amazon.com
"Now let's go wash the blood off in the lake and get back to the party." Ah, the girls of Theta Pi are up to something naughty again. And as that crucially timed line of dialogue suggests, Sorority Row takes its durable horror-movie concept and tweaks it with a bit of Diablo Cody-era snark. The outline of the story is taken from Mark Rosman's 1983 slashfest The House on Sorority Row: an elaborate prank goes extremely wrong, and the resulting accidental death triggers a cover-up that will have dire consequences for those involved. This update gets off to a flashy start, with funny lines and a genuinely horrifying prank sequence. It's only when the action advances a few months into the future, and the time comes for the sorority sisters to pay the piper, that the movie devolves into a disappointingly standard slasher rhythm. The sisters include in their ranks Briana Evigan, Leah Pipes, and Rumer Willis (daughter of Bruce and Demi), all of whom have taken the code of Theta Pi solidarity a little too seriously. Of course, you have to suspect something is tainted when the Theta Pi housemother is played by Carrie Fisher. The grisly deaths, many of which involve a souped-up tire iron, are certainly true to the slasher-movie spirit of the 1980s, even if Sorority Row has snappier dialogue than those movies could have dreamed of. --Robert Horton

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Customer Reviews

I Know What You Did Last Sorority Meeting
Yeah, I watched it! So what?! When you know what you're going in for, this kind of movie has many merits. Sorority Row is a movie about a killer who meanders through an alcohol-soaked, drug-fueled, sex-crazed, sorority McMansion during the end of the year party indiscriminately butchering the tight-bodied, scantily-clothed co-eds - and their dufus boyfriends - who may or may not have knowledge of a murder cover-up involving a senior soror who got chucked down a well like baby Jessica.

Additionally, the cheese-covered horror rules are followed perfectly: The phones get no reception unless receiving a horrifying, tension-increasing picture or video from the killer. A dark, mysterious figure in a face-covering graduation robe, the killer is so derivative that I imagined the character holding the fishing hook from I Know What You Did Last Summer (IKWYDLS) and wearing the mask from the Scream Trilogy, neither of which happened. There is full frontal nudity that serves no other purpose than checking off the nudity requirement. Characters who engage in illicit sex almost certainly die. Characters who elicit groans or disapproval from the audience are guaranteed excruciating deaths. And, finally, there is inevitably more than one "twist" to mislead the viewers attempting early killer recognition.

As for the characters, just picture IKWYDLS and replace the male characters with gorgeous, nubile, women in their early twenties. It's the "talented" Megan (Audrina Partridge); smokin' hot Cassidy (Briana Evigan), the girl with the moral compass; Chugs (Margo Harshman), the sorority's resident slut (who is present in all real life sororities); the sexy Claire (Jamie Chung), fulfills multicultural standards for the sorority's funding purposes; the blonde vixen Jessica (Leah Pipes), who is as ruthless as she is beautiful; and Ellie (Rumer Willis), the slack-jawed, kind of ugly girl (but with a nice body) all sororities need for term papers and to increase cumulative GPA. Aside from the main cast, there is an endless supply of hotties prancing around in lingerie (or less) and either dancing about in the soapy bubbles from an overflowing hot tub or having a feather pillow fight in pajamas with exposed behinds. Read that last sentence again.

As for the plot, a sorority prank goes wrong, one of the sisters dies and the rest of the movie is about the characters covering up the murder, repenting their actions, or playing a deadly game of cat-and-mouse with a tire-iron wielding killer who appears to have an oral fixation. Pretty standard, suspenseful stuff.

Aside from my belief that Ellie should have been the victim of the prank, thereby improving the possible skin-to-film ratio, the directing, acting, special effects, and all other aspects representative of any number of recent Hollywood horror flicks are sufficient. No awards will be won, but I'd probably watch it again for hot chicks and bad jokes.

SLASHER GOLD
What you see is what you get. This is a GREAT slasher, and CORRECTLY serves as a throwback to the 80s and 90s slashers we all loved so much. The kills are really creative and cool, the dialogue is funny and delightfuly cheesy. Means Girls + I Know What You Did Last Summer = Sorority Row...SLASHER GOLD!!

Sorority Row By Steven West of The Horror Review.
Sorority Row [Theatrical Release]

[...]

Mark Rosman's THE HOUSE ON SORORITY ROW was a very decent 1983 slasher movie : gruesome in the right places, with a strong final girl, efficient suspense scenes and a pleasingly surrealistic finale. It's not a classic, nor (until later this year) has it ever had a proper DVD release, but it is an 80's horror movie, so it obviously needs to be remade so that we contemporary audiences don't need to watch anything made before 1998.
The new movie with a shortened title has token references to the older movie : it unfolds at "Rosman College", briefly features the bird-like cane that was a memorable murder weapon in the 1983 film, and has a scene of corpse-dumping. Otherwise, the moments that feel familiar in SORORITY ROW could have come from any number of 80's slasher films, and the elaborately nasty prank that triggers the plot is more reminiscent of the exposition in movies like SLAUGHTER HIGH. It's barely a "remake", and the opening titles confuse matters more by stating "based on the screenplay SEVEN SISTERS" - that being an early title for HOUSE ON SORORITY ROW.
Curiously, the new film's core story and structure are very close to I KNOW WHAT YOU DID LAST SUMMER, and it has an almost identical group discussion scene before the body - dumping that sets off the slasher plot. It doesn't't directly reference other slasher movies, but its smartass attitude, in which characters in peril crack self-aware or callous one-liners, is very much in tune with the SCREAM slasher era of the late 90's. It feels like a film out of time - though, luckily, it has more to offer than most.
The set up is as simple as you'd want. A bunch of really bitchy co-eds (all of them hot in some way, with one who pretends to be dowdy but we know the truth) unwittingly wind up with a dead sorority sister. This is the result of a prank that drives the prank victim to kill a girl, while, afterward, her friends decide that for the sake of their future, it's best to throw the body down a mineshaft and never speak of this event again. Eight months later, it's Graduation and, because this is 2009 not 1997, those involved receive mysterious, threatening text messages rather than notes saying "I know what you did...". A killer in a graduation gown wielding a pimped up tire iron, does them in one by one.
Many of the clichés you know and love are present and correct in SORORITY ROW : mobile phones with no signal when you need it ; fake scares involving the medicine cabinet mirror ; a double twist finale with back-from-the-dead shenanigans. It's far from perfect : the killer, when he's finally unveiled, is fatally bland, and the climax involves a raging house fire that conveniently pauses itself to allow the protagonists to fight to the death with said killer without burning up.
That said, it's often stylish, with a neat, visually striking malfunctioning-Jacuzzi death and an extended opening tracking shot through the sorority house (with clever hidden cuts) that bids to be the slasher movie equivalent of memorable moments in GOODFELLAS and BOOGIE NIGHTS. It's sharply written and acted, with a nice ear for the sheer bitchiness and scathing wit of teenage girls : the dialogue skews closer to HEATHERS than to regular slasher flicks, and the banter and intentional laughs are a lot of fun throughout. Carrie Fisher gets a scene-stealing bit as the gun-toting badass house mother (a totally different character to the crabby bitch in the 83 film) who says rousing things like "He, she or it is about to get two rounds to the face".
Unlike a lot of the post-SCREAM slashers, this slick, well directed, fast-paced movie ensures that the exploitation movie expectations of the typical audience are fulfilled. This means a bunch of pleasingly bloody kills (stand-outs involve booze bottles and flare guns), and gratuitous boob shots that make you feel like 1983 never went away. It misses out on the genuine creepiness of Mark Rosman's under-valued movie, but this is still worth a look.